Deviant Login Shop  Join deviantART for FREE Take the Tour
×
  • Photo



Details

Submitted on
October 23, 2010
Image Size
216 KB
Resolution
550×700
Link
Thumb
Embed

Stats

Views
75,616 (6 today)
Favourites
6,178 (who?)
Comments
427

Camera Data

Make
NIKON CORPORATION
Model
NIKON D80
Shutter Speed
100/10 second
Aperture
F/1.8
Focal Length
50 mm
ISO Speed
100
Date Taken
Oct 23, 2010, 9:50:20 PM
Software
GIMP 2.6.5

License

Creative Commons License
Some rights reserved. This work is licensed under a
Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License.
×
The Source by JeanFan The Source by JeanFan
| JFotography | Facebook | Tutorials | Stocks | Actions/Scripts |

The source of the light comes from within.

Tutorials and Resources
- Light painting with portraiture: [link]
- Bounce lighting: [link]

Materials and Methods
Nikon D80 + 50mm F1.8 Nikkor + IR remote. SB-600 for bounce lighting. Manual Mode: 10 second shutter at F1.8. The blue light is NOT PHOTOSHOPPED. The model posed and the IR remote triggered the flash. Assistant Curry Chern then waved a blue light in the model's hands as the model held relatively still for 10 seconds. The path of the blue light was captured due to the long exposure (light painting). The model appears perfectly still in part due to the initial flash (slow sync flash). GIMP for color editing. See my Facebook for the original shot and the post edit: [link]

A step-by-step protocol:
  • Turn off all lights such that the room/studio is for the most part completely dark.
  • Pose the model in the desired position (including hands).
  • Set your camera to Manual Mode at some slow-ish shutter speed (I like to fix my aperture too to control the DOF).
  • Sync the external flash to trigger in the beginning of the exposure to capture the model prior to the introduction of the blue light.
  • Now trigger the shutter/take the photo (I usually like to use IR remotes to do this). This is when the flash should also go off.
  • Introduce the blue light after the light from the flash dissipates and wave it around in the model's hands for the rest of the long exposure (try not to bump the model's hands too much though it's hard not to).
  • Note I: The cords of the blue light and the hand waving the blue light do not end up in the photo due to the lack of light hitting them. If light does not hit an object, it cannot register on the camera sensor (or your eyes I guess).
  • Note II: The model appears more-or-less perfectly still because of the initial flash. The model still held relatively still for the remaining exposure since the blue light was still hitting her hands and registering on the camera sensor as seen by the blue reflection in her hands.
  • Note III: The blue light appears spherical or ball-like because the blue light was waved around in that configuration for the length of the long exposure. This is probably the part of the shoot that took the most time to get right.

  • If you're still confused about how this technique works, try thinking about how a camera sensor or even your eye reacts to light or a lack of light. I'm not an expert on camera sensors, photons, or that stuff so a search engine will probably be more helpful than I can be.

Additional Comments
A shot I've been meaning to do for the longest time. I originally wanted a green light due to Gatsby but blue was all we had. It's been too busy around here lately; so sorry for not being very active on dA :faint:

This photo is protected under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Licenses for commercial and derivative use of this photo are available for purchase. Please contact me if interested. Under the Creative Commons license, this photo may be displayed on other websites as long as:
1. Credit is given in writing stating "Photo by Jean Fan (JFotography)"
2. A link is provided back to the original photo or JFotography.net
3. All other conditions under the Creative Commons license are met
Any use of this photo other than as authorized under this Creative Commons license or copyright law is prohibited.
Add a Comment:
 

Daily Deviation

Given 2010-11-02
The Source by =roseonthegrey
The suggester writes: "This is a beautiful example of light painting being mixed with portrait photography, they work very well together producing a very interesting piece." ( Suggested by clarearies13 and Featured by Shalora )
:iconminorfiction:
MinorFiction Featured By Owner May 26, 2014  Hobbyist Traditional Artist
There is a story here, a modern fairy tale...
Reply
:iconzomickschallahrecipe:
zomickschallahrecipe Featured By Owner May 21, 2014  New member Hobbyist Photographer
Thanks for the explanation. It really gives me some new ideas :)

Great shot btw!
Reply
:iconoutdoornudephoto:
OutdoorNudePhoto Featured By Owner Apr 5, 2013  Hobbyist Photographer
great idea! thanks for sharing
Reply
:iconcloduy:
cloduy Featured By Owner Nov 23, 2012  Hobbyist Photographer
Your wonderful work has been featured here: [link] :heart:
Have a nice day. :D
Reply
:icon8bitstitchpunk:
8BitStitchPunk Featured By Owner Oct 22, 2012  Hobbyist Writer
Holy mother of Lord Cocoa Puffs.
That's soooo cool!!! :excited:
Reply
:iconkissmeatapocalypse:
KissMeAtApocalypse Featured By Owner Sep 30, 2012
This is really awesome, and I really love that you gave us a step by step process on how to do it. I've been wanting to do some more light experimenting, and your concept is beautiful, very inspiring! Nice job.
Reply
:iconhelios-spada:
helios-spada Featured By Owner Sep 13, 2012  Hobbyist Photographer
You are a wizard.
Reply
:iconkarinta:
Karinta Featured By Owner Sep 5, 2012  Student General Artist
WOW! That's stellar.
Reply
:iconwin-e:
Win-E Featured By Owner Aug 31, 2012
oh my god, that's really clever!
Reply
:iconprettyflour:
prettyflour Featured By Owner Aug 31, 2012  Hobbyist General Artist
This has been featured in my journal!

[link]
Reply
Add a Comment: